A girl that barely turned 17-18, living in the slums like this was a mere joke to us. I took pleasure in hitting others and Kroll liked to rape them, a good arrangement. So as I was holding her head and arms down to the floor, Kroll was pounding at her slightly wet vagina. Tentacle Grab was an enemy ability seen in Legacy of Kain: Defiance used by Tentacles. The Tentacle Grab ability was the primary attack of the Tentacles in Defiance, consisting of the tentacles lunging and grabbing Raziel and holding him in place, lowering his Health coil and forcing him to.
Approaching choreography through a wide variety of movement philosophies,
Montreal-based dance duo Tentacle Tribe
The foolishly brave girl sprinted forward, she dodges each incoming tentacle by jumping from side to side like a cheetah shifting positions when it sprints. She spotted Fig and went to cut him free, a cracking sound blasted against her tiny ears. Tentacle Girl is a jigsaw puzzle. Each picture is no longer irrelevant, but connected into a 'story'. Aoi and Sally, a treasure hunter, found a cave during the expedition. They foresee a treasure in it. Green Tentacle: Green Tentacle is similar to Purple Tentacle in all physical characteristics (until Purple mutates and grows arms), but definitely lacks some of Purple's 'evil' and 'insane' qualities but instead has a strong love for music. Internal Revenue Services Agents: Two highly secretive members of the IRS.
concocts uncommon dance works with a contemporary approach.
Drawing from their wide scope of dance experience, co–founders Emmanuelle Lê Phan and Elon Höglund create conceptual hip–hop with a contemporary twist, while intermingling organic influences from earthly creatures.
This Canadian-Swedish creative alliance experiments with intricate partnering, refined musicality and a saturated dose of physical choreography. As b-boy and b-girl, present in the street dance community and as seasoned stage performers, the duo combines movement techniques that transcend style boundaries and create works that express the embodiment of music beyond technique.
Their repertoire includes magnetic duets and group pieces such as Ghost, Threesixnine, Nobody Likes a Pixelated Squid, Origami Mami and Fractals of You, which have toured internationally.
Although the two performers have worked together since 2005, it wasn’t until 2012 that Tentacle Tribe was formed when they performed their first official collaboration choreographed for the Cirque Du Soleil stage in Quebec City. This duet was adapted into a short film, Elon & Emmanuelle, by director Natalie Galazka.
Their first full–length piece, Nobody Likes a Pixelated Squid, was sought after and performed over 80 times in more than 60 international cities. They followed with Fractals of You, a voyage through consciousness using video mapping projections imagined by artist Gene Pendon.
In 2016, the company expanded and transposed their duet research onto group pieces. It started off with Origami Mami, a powerful female trio that toured Hiphop festivals internationally, soon after followed by Threesixnine, a sextet prized for 'Best Choreographic work of 2017-2018' by the CALQ.
In 2018 they created the intricate ensemble work Ghost, a physical score that echoes the pulse of respiration. Ghost will embark on a Canadian and USA tour in 2020-21. 2019 marked another year of expansion with shorter works such as Synecdoche, Fil Rouge and Puzzle, which casted larger groups of up to 10 dancers.
Tentacle Girl Crack MovieTheir choreography was adapted into award–winning dance film Vanishing Points (2014) directed by Marites Carino, which has been screened at more than 60 festivals internationally. A follow–up dance–for camera short Crack the Cypher, also by Carino in 2016, uses a drone to capture the duo’s dynamic choreography. Carino also directed the onscreen adaptation of their female trio in the vivid short film Mami Origami. In 2019 Ghost was adapted into a full feature by director Jean-Sébastien Ouellet and will soon premiere at Montreal’s FIFA in March 2020.
The duo has been hired as an act for Special Events with Cirque Du Soleil and Cirque Éloize in Antalya, Turkey and Tignes, France. The group work has also bee showcased at the renown C2 Summit. As choreographers, they've made commissioned work for Vancouver’s OURO Collective, Norway's Urban Moves Festival, the 100 LUX Festival, Stockholm's DOCH (Dance and Circus University program), Toronto's York University, the Arizona State University, the École de danse de Québec and Montreal's National Circus School.
Currently, Tentacle Tribe is working on the project 'Immersive Storytelling' researching their work in an immersive environment, which is set to premiere in Amsterdam in August 2020.
Approaching choreography through a wide variety of movement philosophies,
Montreal-based dance duo Tentacle Tribe
concocts uncommon dance works with a contemporary approach.
Drawing from their wide scope of dance experience, co–founders Emmanuelle Lê Phan and Elon Höglund create conceptual hip–hop with a contemporary twist, while intermingling organic influences from earthly creatures.
This Canadian-Swedish creative alliance experiments with intricate partnering, refined musicality and a saturated dose of physical choreography. As b-boy and b-girl, present in the street dance community and as seasoned stage performers, the duo combines movement techniques that transcend style boundaries and create works that express the embodiment of music beyond technique.
Their repertoire includes magnetic duets and group pieces such as Ghost, Threesixnine, Nobody Likes a Pixelated Squid, Origami Mami and Fractals of You, which have toured internationally.
Although the two performers have worked together since 2005, it wasn’t until 2012 that Tentacle Tribe was formed when they performed their first official collaboration choreographed for the Cirque Du Soleil stage in Quebec City. This duet was adapted into a short film, Elon & Emmanuelle, by director Natalie Galazka.
Tentacle Girl Crack GameTheir first full–length piece, Nobody Likes a Pixelated Squid, was sought after and performed over 80 times in more than 60 international cities. They followed with Fractals of You, a voyage through consciousness using video mapping projections imagined by artist Gene Pendon.
In 2016, the company expanded and transposed their duet research onto group pieces. It started off with Origami Mami, a powerful female trio that toured Hiphop festivals internationally, soon after followed by Threesixnine, a sextet prized for 'Best Choreographic work of 2017-2018' by the CALQ.
In 2018 they created the intricate ensemble work Ghost, a physical score that echoes the pulse of respiration. Ghost will embark on a Canadian and USA tour in 2020-21. 2019 marked another year of expansion with shorter works such as Synecdoche, Fil Rouge and Puzzle, which casted larger groups of up to 10 dancers.
Their choreography was adapted into award–winning dance film Vanishing Points (2014) directed by Marites Carino, which has been screened at more than 60 festivals internationally. A follow–up dance–for camera short Crack the Cypher, also by Carino in 2016, uses a drone to capture the duo’s dynamic choreography. Carino also directed the onscreen adaptation of their female trio in the vivid short film Mami Origami. In 2019 Ghost was adapted into a full feature by director Jean-Sébastien Ouellet and will soon premiere at Montreal’s FIFA in March 2020.
The duo has been hired as an act for Special Events with Cirque Du Soleil and Cirque Éloize in Antalya, Turkey and Tignes, France. The group work has also bee showcased at the renown C2 Summit. As choreographers, they've made commissioned work for Vancouver’s OURO Collective, Norway's Urban Moves Festival, the 100 LUX Festival, Stockholm's DOCH (Dance and Circus University program), Toronto's York University, the Arizona State University, the École de danse de Québec and Montreal's National Circus School.
Tentacle Girl Crack GirlA girl that barely turned 17-18, living in the slums like this was a mere joke to us. I took pleasure in hitting others and Kroll liked to rape them, a good arrangement. So as I was holding her head and arms down to the floor, Kroll was pounding at her slightly wet vagina. Tentacle Grab was an enemy ability seen in Legacy of Kain: Defiance used by Tentacles. The Tentacle Grab ability was the primary attack of the Tentacles in Defiance, consisting of the tentacles lunging and grabbing Raziel and holding him in place, lowering his Health coil and forcing him to.
Approaching choreography through a wide variety of movement philosophies,
Montreal-based dance duo Tentacle Tribe
The foolishly brave girl sprinted forward, she dodges each incoming tentacle by jumping from side to side like a cheetah shifting positions when it sprints. She spotted Fig and went to cut him free, a cracking sound blasted against her tiny ears. Tentacle Girl is a jigsaw puzzle. Each picture is no longer irrelevant, but connected into a 'story'. Aoi and Sally, a treasure hunter, found a cave during the expedition. They foresee a treasure in it. Green Tentacle: Green Tentacle is similar to Purple Tentacle in all physical characteristics (until Purple mutates and grows arms), but definitely lacks some of Purple's 'evil' and 'insane' qualities but instead has a strong love for music. Internal Revenue Services Agents: Two highly secretive members of the IRS.
concocts uncommon dance works with a contemporary approach.
Drawing from their wide scope of dance experience, co–founders Emmanuelle Lê Phan and Elon Höglund create conceptual hip–hop with a contemporary twist, while intermingling organic influences from earthly creatures.
This Canadian-Swedish creative alliance experiments with intricate partnering, refined musicality and a saturated dose of physical choreography. As b-boy and b-girl, present in the street dance community and as seasoned stage performers, the duo combines movement techniques that transcend style boundaries and create works that express the embodiment of music beyond technique.
Their repertoire includes magnetic duets and group pieces such as Ghost, Threesixnine, Nobody Likes a Pixelated Squid, Origami Mami and Fractals of You, which have toured internationally.
Although the two performers have worked together since 2005, it wasn’t until 2012 that Tentacle Tribe was formed when they performed their first official collaboration choreographed for the Cirque Du Soleil stage in Quebec City. This duet was adapted into a short film, Elon & Emmanuelle, by director Natalie Galazka.
Their first full–length piece, Nobody Likes a Pixelated Squid, was sought after and performed over 80 times in more than 60 international cities. They followed with Fractals of You, a voyage through consciousness using video mapping projections imagined by artist Gene Pendon.
In 2016, the company expanded and transposed their duet research onto group pieces. It started off with Origami Mami, a powerful female trio that toured Hiphop festivals internationally, soon after followed by Threesixnine, a sextet prized for 'Best Choreographic work of 2017-2018' by the CALQ.
In 2018 they created the intricate ensemble work Ghost, a physical score that echoes the pulse of respiration. Ghost will embark on a Canadian and USA tour in 2020-21. 2019 marked another year of expansion with shorter works such as Synecdoche, Fil Rouge and Puzzle, which casted larger groups of up to 10 dancers.
Tentacle Girl Crack MovieTheir choreography was adapted into award–winning dance film Vanishing Points (2014) directed by Marites Carino, which has been screened at more than 60 festivals internationally. A follow–up dance–for camera short Crack the Cypher, also by Carino in 2016, uses a drone to capture the duo’s dynamic choreography. Carino also directed the onscreen adaptation of their female trio in the vivid short film Mami Origami. In 2019 Ghost was adapted into a full feature by director Jean-Sébastien Ouellet and will soon premiere at Montreal’s FIFA in March 2020.
The duo has been hired as an act for Special Events with Cirque Du Soleil and Cirque Éloize in Antalya, Turkey and Tignes, France. The group work has also bee showcased at the renown C2 Summit. As choreographers, they've made commissioned work for Vancouver’s OURO Collective, Norway's Urban Moves Festival, the 100 LUX Festival, Stockholm's DOCH (Dance and Circus University program), Toronto's York University, the Arizona State University, the École de danse de Québec and Montreal's National Circus School.
Currently, Tentacle Tribe is working on the project 'Immersive Storytelling' researching their work in an immersive environment, which is set to premiere in Amsterdam in August 2020.
Approaching choreography through a wide variety of movement philosophies,
Montreal-based dance duo Tentacle Tribe
concocts uncommon dance works with a contemporary approach.
Drawing from their wide scope of dance experience, co–founders Emmanuelle Lê Phan and Elon Höglund create conceptual hip–hop with a contemporary twist, while intermingling organic influences from earthly creatures.
This Canadian-Swedish creative alliance experiments with intricate partnering, refined musicality and a saturated dose of physical choreography. As b-boy and b-girl, present in the street dance community and as seasoned stage performers, the duo combines movement techniques that transcend style boundaries and create works that express the embodiment of music beyond technique.
Their repertoire includes magnetic duets and group pieces such as Ghost, Threesixnine, Nobody Likes a Pixelated Squid, Origami Mami and Fractals of You, which have toured internationally.
Although the two performers have worked together since 2005, it wasn’t until 2012 that Tentacle Tribe was formed when they performed their first official collaboration choreographed for the Cirque Du Soleil stage in Quebec City. This duet was adapted into a short film, Elon & Emmanuelle, by director Natalie Galazka.
Tentacle Girl Crack GameTheir first full–length piece, Nobody Likes a Pixelated Squid, was sought after and performed over 80 times in more than 60 international cities. They followed with Fractals of You, a voyage through consciousness using video mapping projections imagined by artist Gene Pendon.
In 2016, the company expanded and transposed their duet research onto group pieces. It started off with Origami Mami, a powerful female trio that toured Hiphop festivals internationally, soon after followed by Threesixnine, a sextet prized for 'Best Choreographic work of 2017-2018' by the CALQ.
In 2018 they created the intricate ensemble work Ghost, a physical score that echoes the pulse of respiration. Ghost will embark on a Canadian and USA tour in 2020-21. 2019 marked another year of expansion with shorter works such as Synecdoche, Fil Rouge and Puzzle, which casted larger groups of up to 10 dancers.
Their choreography was adapted into award–winning dance film Vanishing Points (2014) directed by Marites Carino, which has been screened at more than 60 festivals internationally. A follow–up dance–for camera short Crack the Cypher, also by Carino in 2016, uses a drone to capture the duo’s dynamic choreography. Carino also directed the onscreen adaptation of their female trio in the vivid short film Mami Origami. In 2019 Ghost was adapted into a full feature by director Jean-Sébastien Ouellet and will soon premiere at Montreal’s FIFA in March 2020.
The duo has been hired as an act for Special Events with Cirque Du Soleil and Cirque Éloize in Antalya, Turkey and Tignes, France. The group work has also bee showcased at the renown C2 Summit. As choreographers, they've made commissioned work for Vancouver’s OURO Collective, Norway's Urban Moves Festival, the 100 LUX Festival, Stockholm's DOCH (Dance and Circus University program), Toronto's York University, the Arizona State University, the École de danse de Québec and Montreal's National Circus School.
Tentacle Girl Crack Girl Tentacle Girl Crack GamesCurrently, Tentacle Tribe is working on the project 'Immersive Storytelling' researching their work in an immersive environment, which is set to premiere in Amsterdam in August 2020.